This Scottish Mountaineering Club climbers' guidebook details all the climbing to be found on the sea-cliffs and outcrops on the magical Isle of Skye. It is an up to date and fully comprehensive guide to what is an increasingly popular area, on an already popular island. It is a companion volume to the 2011 guide to the Cuillin mountains of Skye, from the SMC. It is written by one of the recognised experts in this area. It is full colour throughout with action pictures and detailed photo-diagrams. User friendly in a successful and well presented format, this title includes page marker ribbon to ease the location of climbs.

When it comes to deciding the most tragic British artist of the 20th century, Cyril Mann (1911-80) must be a contender. Mann made a number of genuinely innovative breakthroughs and certainly had the potential to become one of the most important figurative painters of his time. Yet, struggling with mental health problems, Mann had an unerring instinct for turning each moment of promise into bitter disappointment. In 1959, Renske van Slooten fell in love with Mann who was more than twice her age. Renske was convinced she discovered a genius and she promised to dedicate her life to him as muse, model and money earner. Their struggles quickly threatened to overwhelm them. The Girl in a Green Jumper is not only an enthralling story set against the backdrop of 1960s London, but it also charts in detail the struggles an artist goes through, both creatively and financially. Renske also gives fascinating insights into the way that Cyril's painting technique evolved over time.

Multidisciplinary Studies on the Environment and Civilization draws on research from a diverse range of fields across the humanities, social and natural sciences to discover what is needed to develop an affluent, sustainable and resilient world for the twenty-first century and beyond. The contributions throughout this volume build and promote frameworks for an interdisciplinary approach to sustainability both in and beyond Japan. Utilizing research efforts from a broad range of fields such as zoology, biological anthropology and archaeology, these multidisciplinary studies are brought together to assess the impacts humans have had on the environment as well as the role of civilization, culture and heritage in environmental history. This book provides a truly multidisciplinary approach to environmental issues and will be of great interest to graduate students and researchers in fields such as climate, geology, plant taxonomy and marine science as well as those with an interest in Japanese history, archaeology, art and literature.

This ground-breaking publication provides a new view of the great Scottish artist Alan Davie (1920-2014), whose intensely physical gestural painting stood the staid post-war British art world on its head. In advance of a new Davie gallery in Hertford, the visually spectacular book argues that far from being an essentially historical figure, defined by the abstract expressionist era of the Fifties and early Sixties when he enjoyed his greatest fame, Davie was a prophetic artist whose preoccupations with universal creativity and self-realisation are more relevant today than they've ever been. Lavishly illustrated with rare archive photographs and little-seen paintings, Alan Davie in Hertford demonstrates that Davie's visionary art was far more closely bound up with physical places than is generally supposed, not least the quiet market town of Hertford, where he lived for 60 years. A catalogue of 40 works intended as the new gallery's core collection, provides a "rich and fabulous" survey of Davie's work, from student works of the Thirties to some of his very last paintings.

A second volume of photos from the archive of the oldest off-road cycling club in the world is a further look into an unseen corner of cycling, social history and outdoor culture. Since 1955 the members of the Rough-Stuff Fellowship - the world's oldest off-road cycling club - have explored the 'rough stuff' where the roads end. From tight thickets to sheer rock faces and the wide open spaces of the mountains, these pioneers of riding off the beaten track have recorded their adventures at home and abroad in stunning photos and ride reports.

Founded in 1955, the Rough-Stuff Fellowship is the world's oldest off-road cycling club. Its archive contains thousands of stunning images, hand-drawn maps and documents - an unexpected treasure trove of incredible value and beauty that is now being brought to a wider public by Isola Press. The photos are evocative of a bygone age and a bygone style - a time when you might set off on a bike ride wearing a shirt and tie or a bobble hat, and no ride was complete without a stop to brew up some tea and smoke a pipe. They are also a record of intrepid adventures. RSF riders explored the Lake District, the Cairngorms, the Alps and further afield, and their exploits were beautifully documented by amateur and professional photographers. In their own very British way, these men and women were pioneers, pedalling and carrying their bikes where angels feared to tread. Mountain bikes, gravel bikes, adventure bikes all owe them a debt. This book celebrates their style and their spirit. It is a stunning visual resource of cycling heritage that will inspire new adventures.

Physical abuse and neglect are the most common forms of child maltreatment, and professionals who work with children have a duty to possess a thorough understanding of them in order to identify and intervene in abusive situations. This curriculum teaches participants eight lessons on the socioeconomic and familial factors that place children at risk, the signs indicative of abuse and neglect, and methods for medically evaluating and treating physically abused or neglected children. Among the issues discussed in detail are types of radiological studies and their uses, types of common fractures and how they are produced, the ways to differentiate between abusive and accidental head injury, and the distinction between intentional and unintentional neglect. The CD-ROM contains 208 clinical photographs illustrative of common injuries, diagnostic imaging methods, and forms of neglect. The training curriculum contains activities, test questions, photographic references, and a PowerPoint teaching presentation and is accredited through Saint Louis University's School of Medicine and School of Nursing to provide CME/CNE credit(s).

Multidisciplinary Studies on the Environment and Civilization draws on research from a diverse range of fields across the humanities, social and natural sciences to discover what is needed to develop an affluent, sustainable and resilient world for the twenty-first century and beyond. The contributions throughout this volume build and promote frameworks for an interdisciplinary approach to sustainability both in and beyond Japan. Utilizing research efforts from a broad range of fields such as zoology, biological anthropology and archaeology, these multidisciplinary studies are brought together to assess the impacts humans have had on the environment as well as the role of civilization, culture and heritage in environmental history. This book provides a truly multidisciplinary approach to environmental issues and will be of great interest to graduate students and researchers in fields such as climate, geology, plant taxonomy and marine science as well as those with an interest in Japanese history, archaeology, art and literature.

Recent interdisciplinary studies, combining scientific techniques such as ancient DNA analysis with humanistic re-evaluations of the transcultural value of bronze, have presented archaeologists with a fresh view of the Bronze Age in Europe. The new research emphasises long-distance connectivities and political decentralisation. 'Bronzisation' is discussed as a type of proto-globalisation. In this Element, Mark Hudson examines whether these approaches can also be applied to East Asia. Focusing primarily on Island East Asia, he analyses trade, maritime interactions and warrior culture in a comparative Eurasian framework. He argues that the international division of labour associated with Bronze Age trade provided an important stimulus to the rise of decentralised complexity in regions peripheral to alluvial states. Building on James Scott's work, the concept of the 'barbarian niche' is proposed as a way to model the longue duree of premodern Eurasian history. This title is also available as open access on Cambridge Core.

First published to accompany major retrospective exhibitions at West Cork Arts Centre and the Irish Museum of Modern Art (IMMA), this full-colour illustrated monograph explores William Crozier's whole career, taking in the second half of the twentieth century - a key period in the development of British and Irish art. The catalogue is furnished with essays presenting brand new research by renown art historians and curators, Illuminated by unpublished sources and personal memoirs. What emerges is a picture of the continuum that runs through all of Crozier's work, revealing a fascinating narrative that, far from a story of transformation from darker, earlier imagery into the apparent hedonism of later landscapes, is one of continuity of purpose in Crozier's mind-set that connects 1950s Britain and Ireland with the concerns of the new millennium. Profoundly affected by post-war existential philosophy, Crozier consciously allied himself and his work with contemporary European art throughout the 1950s and 1960s, towards painters such as Jean Dubuffet, Pierre Soulages, Hans Hartung and Nicolas de Stael. The landscape became the source of visceral paintings: For Crozier, ravaged landscapes symbolised the torment and fear of the post-war condition at the heart of existentialism. Only ten years separate these images of traumatized humanity from the luxuriantly colourful works inspired by the landscape of West Cork. His early skill as a colourist reaches its zenith in paintings that capture the essence and appearance of the West Cork landscape in ways immediately recognisable to the viewer, but they are also concerned to capture a landscape during a period of great physical and social change. Crozier believed that when painting the Irish landscape he must, "Tell the truth. Say it simply."

This book challenges the conventional view of Japanese society as being monocultural and homogenous. Unique for its historical breadth and interdisciplinary orientation, this study extends from the prehistoric phase to the present. It challenges the notion that Japan's monoculture is being challenged only because of internationalism, arguing that cultural diversity has always existed in Japan. It is a provocative discussion of identity politics around the question of "Japaneseness". The paperback edition has a new epilogue.

This book is about the transformation of America that has occurred over the past thirty-five years, as capitalist logic has expanded into previously protected spheres of life. This expansion has had devastating effects on the potential for human development. Looking at how human beings create themselves and their worlds on material foundations of health and the natural environment, through work and politics, the book chronicles how neoliberalism has limited human potential. At a time when neoliberalism's effects are stirring various forms of popular resistance and opposition, this is a manifesto of sorts for the range of processes that need to be confronted if human potential is to be freed from the increasingly cramped quarters to which neoliberalism has confined it. -- .

Accompanying the first exhibition of outstanding British artist Mark Wallinger's paintings in Switzerland, this catalogue focuses on his large-scale Action Paintings, complemented by a series of new, polychrome small-scale paintings. Despite their many differences from the works of French Impressionism the collection of the Museum Langmatt is centered around, light and movement remain the central elements here as there. A homage to the term coined by Harold Rosenberg who claimed that for action painters the canvas was not a representation but an extension of the mind itself, these performative works move from image to action. Created by sweeping paint-laden hands across the canvas in active freeform gestures, they make intense reference to the body, intensified by the use of plasticine which creates soft, relief-like effects.

Using a developmental perspective, the authors offer a new, integrated model for supporting people with intellectual disability (ID). This concept builds upon recent advances in attachment informed approaches, by drawing upon a broader understanding of the social, emotional, and cognitive competencies of people with ID, which is grounded in developmental neuroscience and psychology. The book explores in detail how challenging behaviour and mental health difficulties in people with ID arise when their basic emotional needs are not being met by those in the environment. Using individually tailored interventions, which complement existing models of care, practitioners can help to facilitate maturational processes and reduce behaviour that is challenging to others. As a result, the "fit" of a person within his or her individual environment can be improved. Case examples throughout the book illuminate how this approach works by targeting interventions towards the person's stage of emotional development. This book will be of interest to a wide range of professionals working with people with ID, including: clinical psychologists, psychiatrists, occupational therapists, learning disability nurses, speech and language therapists, and teachers in special education settings, as well as parents and caregivers.

First published to accompany Piano Nobile's exhibiton at Piano Nobile Kings Place, Thomas Newbolt: Drama Paintings - A Modern Baroque, this fully colour illustrated book presents a substantial publication on contemporary artist Thomas Newbolt. Newbolt's dedication to the figure in art, and the vitality of his work have gained him international recognition. An artist of talent and intellectual integrity, he was Harkness Fellow at the University of Virginia and the University of Wisconsin, and a Fellow-Commoner at Trinity College, Cambridge, as well as a respected teacher at Camberwell, Anglia Ruskin and The Royal Drawing School, London. Recent exhibitions include Ely Cathedral, the Estorick Collection, and a group show, Vital Signs, at Clifford Chance in 2015. His work is held in major international public collections. With essays by Mark Hudson, arts critic at the Telegraph, Professor Maurice Biriotti, and Martin Gayford, critic at the Spectator, this catalogue provides fresh insight into the work of this most enigmati and powerful of artists. Lavishly illustrated and beautifully designed as a work of art in its own right, Thomas Newbolt: Paintings is a reflection on Newbolt's career thus far, and a testament to the significance of his work. The publication includes three essays, a catalogue of works selected by Thomas Newbolt, a chronologyof the artist's career and an index.

The first in a four-volume set, The Cambridge World History of Violence, volume I provides a comprehensive examination of violence in prehistory and the ancient world. Covering the period through to the end of classical antiquity, the chapters take a global perspective spanning sub-Saharan Africa, the Near East, Europe, India, China, Japan and Central America. Unlike many previous works, this book does not focus only on warfare but examines violence as a broader phenomenon. The historical approach complements, and in some cases critiques, previous research on the anthropology and psychology of violence in the human story. Written by a team of contributors who are experts in each of their respective fields, this volume will be of particular interest to anyone fascinated by archaeology and the ancient world.

Law enforcement and social service professionals were consulted during the development of this curriculum to ensure that the content and format are appropriate for training in those fields as well. The curriculum is formatted for portable, straightforward learning as a whole or chapter-by-chapter and is accompanied by a supplementary CD. The CD contains 208 clinical photographs illustrative of common injuries, diagnostic imaging methods, and forms of neglect. Chapter activities, post-tests, registration forms, and an instructional PowerPoint presentation are also included on the CD. This title offers directed self-study opportunity. In addition to the continuing education edition of ""Physical Abuse and Neglect: A Training Curriculum"", G.W. Medical is pleased to announce the release of a new sister product: a reference edition that contains all of the information and educational activities of the CEU version without the continuing education credits. This new product is designed to provide a substantially reduced pricepoint for programs and individuals who need the information, but not the credits.